Still Not Even: Some Changes Over Time

Graph of Changes over timeHas gender parity improved since Not Even report?

There has been some improvement between 2015 and 2018 for both playwrights and non-union actors, but no growth pattern over that time for union actors or directors.

Women playwrights have seen the biggest gains since the 14-15 season, moving from 25% to 39% over this time period.  Non-union women have moved to over half of non-union actors working across these four and a half seasons but union women have a less discernible pattern over this time. Women directors have varied from a low of 38% in the 15-16 season to a high of 52% in 17-18.

The variability of these numbers suggests that even though gender parity might be measured for a single season, additional energy and attention is required to maintain equal representation over time.

2014-15*
165 shows
2015-16
150 shows
2016-17
153 shows
2017-18
144 shows
Fall 2018**
55 shows
Women Playwrights 25%
56 artists
29%
68 artists
35%
75 artists
38%
84 artists
39%
36 artists
Men Playwrights 75%
169 artists
70%
164 artists
65%
139 artists
61%
136 artists
61%
57 artists
Trans Playwrights 0 %
0 artists
<1%
1 artist
0%
0 artists
<1%
3 artists
0%
0 artists
Women Directors 45%
92 artists
38%
77 artists
43%
84 artists
52%
108 artists
39%
27 artists
Men Directors 55%
113 artists
62%
124 artists
57%
110 artists
47%
97 artists
61%
43 artists
Trans Directors 0 %
0 artists
0 %
0 artists
0 %
0 artists
<1%
1 artist
0 %
0 artists
Women Union Actors 44%
214 artists
40%
156 artists
45%
195 artists
43%
179 artists
44%
75 artists
Men Union Actors 56%
270 artists
60%
233 artists
56%
238 artists
57%
236 artists
56%
96 artists
Trans Union Actors 0 %
0 artists
0 %
0 artists
0 %
0 artists
0 %
0 artists
0 %
0 artists
Women Non-Union Actors 47%
429 artists
48%
401 artists
49%
355 artists
51%
393 artists
52%
215 artists
Men Non-Union Actors 53%
477 artists
51%
425 artists
50%
358 artists
48%
367 artists
46%
189 artists
Trans Non-Union Actors <1%
1 artist
<1%
2 artists
1%
6 artists
1%
7 artists
2%
10 artists

Table 2: Some areas of women’s employment has improved

*Shows from July 2014 to Nov 2014 were added to this column to give a full season

**Because data collection ended in December 2018, only the first half of the season is included

How does this data compare to the Not Even data?

In Not Even, our key finding was that women’s employment did not improve over the three and a half theater seasons studied, and actually was lower in the final season than it had been in the first.  Comparing the earlier data to the current set reinforces the upward trend for women playwrights and the smaller upward trend for non-union women actors. While the union women have trended upwards as well, they have seen very little change over the last three seasons.  Women directors has fluctuated the most, and it is hard to see any trend in this group, which currently has a lower level of representation than it did in the 11-12 season, even thought it was above 50% in the 17-18 season. 

The absence of a director trend across all of the data makes a very strong case for framing of gender parity as a concept that requires continued advocacy, rather than a mark to be achieved.