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Carmen Einfinger
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Website http://www.carmeneinfinger.com >> This web site features photos of the artist's work.

Personal Statement: "The series of paintings titled 'The Boarding School' by Carmen Einfinger show precisely and without pity how the bodies of the orphans have incarnated the appearance of nowhere-children, hybrids, impossible cross-overs, composed of Brazilian realities and German ideals. The bodies are knotted, tilted and twisted, as if they had had no idea in which direction they should have grown. Torn also between their love for life and the loyalty for those who offered them an education that promised a better life in some improbable future. Torn and twisted between those who wanted the better of them, constantly suspecting that love was not their main motive. That is why Twist is a synonym for all orphans: Charles Dickens in his novel had discovered the childrens' transformation of unbearable emotional situations into their bodies. In Carmen Einfinger's painting this symptom returns." - Ute Holl, NY Arts Magazine

Current Work
"The German orphanage in Sao Paolo is a document of history's strange knots. It is not a home for the poor. And some of the children brought to the orphanage were not really orphans. Their parents, in Brazil for different reasons - probably World War II related, probably representing all sides of the vicious fighting and killing - just could not afford to raise them properly. Education in a German institution obviously seemed the best solution.

"The pictures of the orphanage show it as a stronghold of German values, values that were on the verge of disappearing in Germany itself. Discipline and cleanliness, eagerness to work, and obedience had found a home in Sao Paolo. A 'Heim,' a 'Kinderheim.' It was more likely to go through a proper German education in Brazil — or other far away places in South America, or South Africa or Asia, for that matter — than in postwar Germany itself. The children of the orphanage, the 'Heimkinder,' are raised according to ideals of a world that does not really exist anymore, anywhere." - Ute Holl, NY Arts Magazine
Short Bio
Born in England, raised in Brazil, and moving later to Europe, Canada, and finally the United States, I have lived for the past 10 years in New York City. My work as a painter draws on my multi-national background and on my extensive travels to countries around the world as the child of Dutch and Yugoslavian emigrants, and on my childhood at a German boarding school in Sao Paulo. I received my formal training as a painter at SUNY/Buffalo, Brown University, and the Rhode Island School of Design.

As an undergraduate, I began to work in the bright primary colors which have come to typify my work, colors which were influenced by my memories of Brazil: by the favelas near my home, by Brazilian popular culture, by the luscious vegetation, and by the fortune tellers and spiritualists I visited as a teenager. I was also influenced by the work of the German Expressionists, Matisse, and Jacob Lawrence.
Honors
The Mayor Randy Roach made Carmen Einfinger an Honorary Citizen of Lake Charles, at the opening night exhibition of True Colors in Lake Charles, Louisiana, 2005, right after the disasters of Hurricane Katrina and Rita.
View Resume
View Review Excerpts
Artist Location
New York, NY

Type of artist
Painter/Sculptor, Performer

General Themes
Children/Youth, Families/Parenting, Feminism/Gender Issues, Mass Media/Pop Culture, Mental Health/Psychology
Keywords
childhood, primal
Last updated on July 31st, 2006

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